
The Bird & The Rifle With Autographed CD Booklet
Lori McKenna puts a magnifying glass on un-championed lives. She doesnât just notice the quiet and ordinary, she delights in it â effortlessly transforming the average to extraordinary. The result is over a decade worth of songs filled with honest stories and melodic depth, and her latest release is no exception.
Produced by Dave Cobb, McKennaâs tenth studio album, The Bird & The Rifle revels in the routines and events that may seem mundane but are the most important, transcendent moments of our lives.
The Bird & The Rifle proves that the worlds of Cobb and McKenna were meant to overlap. The Grammy-winning producer behind albums from Jason Isbell, Sturgill Simpson, Chris Stapleton, and more, Cobb has emerged as a modern master of capturing the grizzled beauty in imperfection. âThis record was made in a way thatâs very different from anything else Iâve ever done,â says McKenna. âItâs very much meââthis record and the songs. But itâs like I took the 10 songs and just got in someone elseâs car and took a ride down the coast. I completely plugged into the world of Dave Cobb.â
Recorded live, the album invites close listening, achieving an intimacy that is comfortable but precise. Pared-down instrumentation including rolling guitar, blood-pumping bass, and soothing percussion creates room for McKennaâs lyrics and vocals to soar. Her voice cuts through not by overpowering, but with stark gentleness.
âWreck Youâ kicks the album off with room-shushing heartbreak. Written with Felix McTeigue nearly eight years ago, the song explores the pain of hurting someone else over sparse strings that evoke 70s-era Beatles. âSometimes we all feel like, âOh, I cannot do anything right,ââ McKenna says. âI think your job as a songwriter is in the three and half minutes that you have, to exaggerate that feeling, take that little speck of a feeling and set it on fire.â
âThe Bird & The Rifleâ is an ideal example of the way McKenna acknowledges the complexity of relationships. She says that the songâs title and concept came from overhearing a joke on a Modern Family rerun airing in the background while she was folding laundry one afternoon. Characters were listing ideas for complementary tattoos that reflect and attract one another, like the moon and stars.
The album also features McKennaâs own recording of âHumble & Kind,â which Tim McGraw recorded and took to country radio this past January. McKenna wrote the song alone at home while her kids were at school. The song is a loving attempt to impart wisdom, layered over three chords. âI can say itâs one of my favorite songs, mostly because I had my kids in my head the whole time I was trying to write it,â she says. âMy kids know that itâs theirs, and itâs nice in that way. It worked out pretty good.â
More than anything else, McKenna wants her songs to hit listeners wherever and whoever they are. âMy husband always teases me and says I donât really have the Boston accent I used to have,â McKenna says. âWhen I started traveling a lot, I started pronouncing my râs, because they were nonexistent before that. And then when I sing, I have to sing in a way that people can understand my words. So my husband and I have this joke: He says, âItâs like you have no self-identity.â But I figured it out. Iâm not supposed to. Iâm a songwriter. Iâm supposed to be able to identify with these other characters and write songs about them. Thatâs my job.â
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Description
Lori McKenna puts a magnifying glass on un-championed lives. She doesnât just notice the quiet and ordinary, she delights in it â effortlessly transforming the average to extraordinary. The result is over a decade worth of songs filled with honest stories and melodic depth, and her latest release is no exception.
Produced by Dave Cobb, McKennaâs tenth studio album, The Bird & The Rifle revels in the routines and events that may seem mundane but are the most important, transcendent moments of our lives.
The Bird & The Rifle proves that the worlds of Cobb and McKenna were meant to overlap. The Grammy-winning producer behind albums from Jason Isbell, Sturgill Simpson, Chris Stapleton, and more, Cobb has emerged as a modern master of capturing the grizzled beauty in imperfection. âThis record was made in a way thatâs very different from anything else Iâve ever done,â says McKenna. âItâs very much meââthis record and the songs. But itâs like I took the 10 songs and just got in someone elseâs car and took a ride down the coast. I completely plugged into the world of Dave Cobb.â
Recorded live, the album invites close listening, achieving an intimacy that is comfortable but precise. Pared-down instrumentation including rolling guitar, blood-pumping bass, and soothing percussion creates room for McKennaâs lyrics and vocals to soar. Her voice cuts through not by overpowering, but with stark gentleness.
âWreck Youâ kicks the album off with room-shushing heartbreak. Written with Felix McTeigue nearly eight years ago, the song explores the pain of hurting someone else over sparse strings that evoke 70s-era Beatles. âSometimes we all feel like, âOh, I cannot do anything right,ââ McKenna says. âI think your job as a songwriter is in the three and half minutes that you have, to exaggerate that feeling, take that little speck of a feeling and set it on fire.â
âThe Bird & The Rifleâ is an ideal example of the way McKenna acknowledges the complexity of relationships. She says that the songâs title and concept came from overhearing a joke on a Modern Family rerun airing in the background while she was folding laundry one afternoon. Characters were listing ideas for complementary tattoos that reflect and attract one another, like the moon and stars.
The album also features McKennaâs own recording of âHumble & Kind,â which Tim McGraw recorded and took to country radio this past January. McKenna wrote the song alone at home while her kids were at school. The song is a loving attempt to impart wisdom, layered over three chords. âI can say itâs one of my favorite songs, mostly because I had my kids in my head the whole time I was trying to write it,â she says. âMy kids know that itâs theirs, and itâs nice in that way. It worked out pretty good.â
More than anything else, McKenna wants her songs to hit listeners wherever and whoever they are. âMy husband always teases me and says I donât really have the Boston accent I used to have,â McKenna says. âWhen I started traveling a lot, I started pronouncing my râs, because they were nonexistent before that. And then when I sing, I have to sing in a way that people can understand my words. So my husband and I have this joke: He says, âItâs like you have no self-identity.â But I figured it out. Iâm not supposed to. Iâm a songwriter. Iâm supposed to be able to identify with these other characters and write songs about them. Thatâs my job.â











