
The Juice CD (Autographed)
Purchase includes postcard signed by G. Love.
āIāve been in the game a long time, but Iāve always considered myself a student,ā says G. Love. āFinishing this album with Keb Moā felt like graduation.ā
Recorded in Nashville with a slew of special guests including Robert Randolph, Marcus King, and Roosevelt Collier, āThe Juiceā is indeed diploma-worthy. Co-produced and co-written with GRAMMY-winning icon Keb Moā, itās an electrifying collection, one that tips its cap to more than a century of blues greats even as it offers its own distinctly modern pop spin on the genre and solidifies his place in music history as a genre-bending pioneer with a sound The New York Times described as āa new and urgent hybridā and NPR called a āmusical melting pot.ā G. Loveās lyrics are both personal and political here, artfully balancing his appreciation for the simple joys in life with his obligation to speak out for justice and equality, and his performances are suitably riotous and rousing to match, with infectious call-and-response hooks and funky sing-along choruses at every turn. Easy as it is to succumb to cynicism these days, the songs on āThe Juiceā refuse, insisting instead on hope and determination in the face of doubt and despair.
āIāve never been the kind of guy who thinks heās going to change the world with his guitar,ā reflects G. Love. āBut maybe I can write the kind of songs that give strength and encouragement to the people who are out there doing the work to make this planet a better place. Those are the people I want to lift up with my music.ā
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Description
Purchase includes postcard signed by G. Love.
āIāve been in the game a long time, but Iāve always considered myself a student,ā says G. Love. āFinishing this album with Keb Moā felt like graduation.ā
Recorded in Nashville with a slew of special guests including Robert Randolph, Marcus King, and Roosevelt Collier, āThe Juiceā is indeed diploma-worthy. Co-produced and co-written with GRAMMY-winning icon Keb Moā, itās an electrifying collection, one that tips its cap to more than a century of blues greats even as it offers its own distinctly modern pop spin on the genre and solidifies his place in music history as a genre-bending pioneer with a sound The New York Times described as āa new and urgent hybridā and NPR called a āmusical melting pot.ā G. Loveās lyrics are both personal and political here, artfully balancing his appreciation for the simple joys in life with his obligation to speak out for justice and equality, and his performances are suitably riotous and rousing to match, with infectious call-and-response hooks and funky sing-along choruses at every turn. Easy as it is to succumb to cynicism these days, the songs on āThe Juiceā refuse, insisting instead on hope and determination in the face of doubt and despair.
āIāve never been the kind of guy who thinks heās going to change the world with his guitar,ā reflects G. Love. āBut maybe I can write the kind of songs that give strength and encouragement to the people who are out there doing the work to make this planet a better place. Those are the people I want to lift up with my music.ā











